MEMORIES

 
The way members of my clan watched our new thirteen inch black-and-white TV when I was a kid. That's me in front, my sister Joan behind me, my next door cousin Marylynn in white with our down-the-street cousin Micki behind her, and our next town (Orange) cousin Rosemary behind Micki, and on the couch my mom and Aunt Rose, a widowed single parent to Rosemary (Rose had a day job so Rosemary spent most of her time with us), and my brother Robert. There's also my mother's mother who lived with us and more siblings and cousins out of frame.

PAUL AUSTER R.I.P.

 

We met in 1970s NYC, and discovered we grew up in the same town in Jersey but on different sides of it, and at slightly different times (he's five years younger). Despite my sometimes arrogant persona, he seemed always friendly and tolerant and a little amused by my relentless attempts to share the truth I thought only I could decipher.

I liked him, his writing, and like everyone else, his sexy smokey eyes. My favorite book is his INVENTION OF SOLITUDE, maybe because he writes about the town that made us homeboys of sorts, but with two distinctly different perspectives. Grateful to have known him. Condolences to his family, friends, and many fans.

BREATH CONTROL 12/80

So grateful that John Newt sent me this recording of me in my prime (1980, at 38) reading some of my poems and a story, demonstrating the breath control I learned from studying Frank Sinatra's and John Coltrane's techniques. 

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HERITAGE UPDATE

My maternal grandfather, Tom Dempsey, died when I was a little boy, but I remember him. I knew he was known as "the silver thrush" for his singing and that he had owned a tavern in Newark where he and my grandma Dempsey lived until she was widowed and moved in with us. 

But I never realized he was actually a vaudeville headliner back in the 1800s until my niece Lisa shared scrapbooks handed down to her mother, my sister Irene, and I saw these programs. What a delight to now picture my grandfather when watching classic movies with vaudeville scenes, like YANKEE DOODLE DANDY or GYPSY et al.

TIME TRIPPING

 
This photo, shared recently by poet friend Greg Masters, I think is from a display of Dennis Cooper's Little Caesar Press archives at NYU, back in the 2000s. NYU also houses my archives, but fortunately I found a copy of this Little Caesar magazine #11 from 1980, on my bookshelves.

The cover photo is by early SNL photographer and friend, Edie Baskin, and inside part of the contents are two interviews Tim Dlugos did with me, one extended daytime session and a shorter one in his car at night riding back to Manhattan from a poetry reading we'd done (with Kevin Killian) on Long Island. 

We were stoned  for the latter and I probably was for the daytime one too. I hadn't read it since the mag came out over forty years ago and felt like a visitor from a distant planet, trying to decipher meanings and tone and intentions and pretensions and self awareness and self indulgence.

Made me miss Tim more than ever. Those were the days. As are these.

ME AND MY SIBS

 
Another photo of me and my siblings during World War Two. Back row, left to right, Buddy, Tommy holding me, Robert; front row, Irene and Joan. They're all gone now, but what an impact they had on me as a boy.

JOHN SINCLAIR R.I.P.

I first encountered the poet John Sinclair in 1965 through the mail while I was still in the military stationed outside Spokane, Washington. I wrote in my latest book, SAY IT AGAIN (#76 in The Spokane Sonnets), "John Sinclair, editor of a Detroit little mag, rejects / some poems I submit but writes: Who are you? / I reply angrily I’m the writing you rejected."

I didn't know at the time he was my age, 23, but as we both became anti Vietnam war activists in the years that followed I admired his attempt to  bring the rock-n-roll world we grew up in into the anti-war movement. I organized some anti-war rock shows in DC, but he managed the MC5 and co-founded The White Panthers as allies to The Black Panthers, and fought for legalizing marijuana.

He got a ten year prison sentence for sharing two joints with an undercover cop in 1969, and the campaign to free him succeeded in '71. I finally met him in person shortly after when we did a poetry reading together and he was sweet and supportive. A 'sixties icon. Rest In Poetry brother.