Monday, January 24, 2022

PASSING

Another deeply intense film with a disturbingly ambiguous ending adapted from a novel and directed by a woman that left me thinking about them for days (the other two being POWER OF THE DOG and LOST DAUGHTER). PASSING offers a multilayered dramatic riff on all kinds of "passing" for something you're not, but first and foremost for "white" in the late 1920s.

The performances from the leads—Tessa Thompson and Ruth Negga—are stunningly complex. Though other actors may have been more believable as the kinds of people who historically "passed," casting these two reinforces the absurdity of the whole racial categorization obsession in this country and during this period in particular.

Director/writer Rebecca Hall, one of my favorite actors, allows all the performers to have their moments so that everyone in the film is memorable. The cinematography and editing as well. It's not an easy film nor completely satisfying (to me), and like the other two elicits strong opinions for and against, but I'm glad I watched it.

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