Tuesday, November 7, 2017

NEW FAVORITE QUOTE (AND DON'T FORGET TO VOTE IN YOUR LOCAL, COUNTY, AND STATE ELECTIONS, THAT'S WHERE IT ALL STARTS)

“Please exercise caution when calling these mass shooters mentally ill, or insinuating it is to blame. If mental illness is to blame... I wanna know why mentally ill women aren't going to schools, churches, movie theaters, and concerts with assault rifles and slaughtering people?
Cuz it's not mental illness, it's white male entitlement to terrorize and use violence to oppress. When they don't get their way, they use violence to oppress. Again and again and again and again.” ~Val Stephens

Monday, November 6, 2017

REPOSTED FROM A YEAR AGO

Thanks to friend, poet Don Yorty's reposting this on Facebook today and reminding me to remember my own analysis.

Sunday, November 5, 2017

FECK THE NRA


WONDERSTRUCK

Todd Haynes-directed movies are hit and miss for me. I loved CAROL and came to appreciate I'M NOT THERE. As for his latest WONDERSTRUCK, it's a mixed bag. Brian Selznick's script, adapted from his novel, is extremely contrived and full of holes, but the filming of it by Haynes' and his crew is original and at times dazzling in its authenticity (as in the most realistic depictions of New York in the 1970s I've seen in a long time in any film or TV show).

The main reason to see it, for me, is the lead young actress Millicent Simmonds who plays a deaf girl in 1920s New York (some very creative uses of vintage footage and other devices make her black and white experiences seem of the time), and also happens to be deaf. There are not enough deaf characters in movies and on TV and never has been (as can be said about a lot of minorities mostly missing from films and TV), but here's one who should have more characters written for her unique talents.

Julianne Moore plays a few real, as well as a few stage and movie, characters entirely (as far as I can remember) without ever using her voice, quite an achievement too. Other actors, like the two male child actors Oakes Fegley and Jaden Michael in the color parts of the movie set in the 1970s, do pretty good jobs as well. All in all a daring attempt to make a unique film out of a pretty contrived and manipulative script.

Thursday, November 2, 2017

MID-DAY THOUGHTS AT A SAD TIME

In the late 1970s, I lived with my two children and for a while with the composer Rain Worthington, in an illegal (to live in back then) loft on the corner of Duane and Greenwich Streets in lower Manhattan, a neighborhood historically known as Washington Market, but which real estate interests would rebrand as Tribeca.

My kids played a few blocks away at The World Trade Center plaza, and in the towers themselves. They were like the mountains in our back yard. The old West Side Highway, only blocks from our loft, was defunct, unused by cars in years, and broken at the end which made it possible to walk up the broken part and hang out on what had been a highway but was now chipped concrete with weeds growing wild in it, like a scene in a dystopian sic-fi flick, only real.

Me and my neighbors, the few other artists and outlaws living in illegal lofts down there then, would hang out on the defunct highway on warm sunny days, sunbathing and watching our kids ride their bikes over the broken concrete, helmet-less.  A few blocks lower, toward Chambers Street, a tall wire fence had been installed on the other side of which what looked like a beach was being created.

On warm summer nights some of my neighbors would climb the fence and have beach parties near the river, like other beach communities, only not.  That was actually the landfill for what became Battery Park City. The neighborhood changed so much over the next decade and more that on returning to it in recent years I constantly get disoriented and not realize when I'm only doors away from my old loft building.

Where once there were only truck docks or empty warehouses or industrial buildings there are now high-rises and fancy restaurants and all that gentrification jive. Nice for the people living there and I suppose for those who got money to move out of their lofts and found something they could like elsewhere, but for most it was the end of an era and of an intimate creative neighborhood.

I was back living in Jersey after forty years of living elsewhere when 9/11 happened, and still there when this recent attack occurred, both in my old downtown neighborhood. It's been heart rending and continues to be.