pent the weekend in the Berkshires with my progeny. Nothing better than being with my offspring.
On the way up, driving and scanning the radio stations with my 10-year-old son in the back seat telling me when to stop, unless I stop before he says anything, we both go for Cindy Lauper singing “Girls Just Wanna Have Fun” and it strikes me how unique her voice is and what she did with it.
That got me thinking as I fell asleep last night of singers whose voices were not only unique but what they did with them was unique also and influenced, if not totally changed, singing forever. So here’s as far as I got in that alphabet I stuck with one name for each letter, though there are obviously more as in the Cs there’s Ray Charles and Betty Carter, etc. but I chose the one I think was the most original and really changed singing most, in some cases from a before to an after them):
ARMSTRONG, LOUIS
BJORK
CROSBY, BING
DYLAN, BOB
ECKSTEIN, BILLY (he maybe influenced musicians more, like Miles Davis etc.)
FITZGERALD, ELLA
GREEN, AL
HOLIDAY, BILLIE
I?
JOHNSON, ROBERT
KLINE, PATSY
LAUPER, CINDY
MCFARRIN, BOBBY
NELSON, WILLIE (although Gene Autrey may be his predecessor)
O’CONNOR, SINEAD
PRESLEY, ELVIS
Q?
RICHARD, LITTLE
STREISAND, BARBRA (FRANK SINATRA had a greater immediate impact and a lasting emotional impact, but Streisand, no matter what you think of her, changed female pop singing from 1960, or whenever she came on the scene, to the present)
T? (TINA TURNER was definitely influential, but how much?)
U?
VALLI, FRANKIE (the heavy metal falsetto screamers owe as much to him as they do to Little Richard!)
WILLIAMS, HANK
X?
YOUNG, NEIL
ZAPPA, FRANK (okay, his influence was more instrumental than vocal, but can you think of any Z’s?)
Subscribe to:
Post Comments (Atom)
3 comments:
Dolly Parton.
Ray Charles.
John Lennon.
Sonny Boy Williamson.
Mose Allison.
I'll think of some others ...
RJ, Yeah, I thought of all those but didn't think they were more uniquely impactful than the ones I chose, but the more I think about it the more I think John Lennon was more influential as a singer than I was thinking, especially his late work. As for Dolly, the same might apply (her recent "return" to her bluegrass roots which in fact weren't really the roots she showed in her first performances on the old Porter Waggoner show that I used to watch just because the young Dolly Parton was on it!) But as much as I love Mose he was mostly derivitive of earlier black singers, just maybe more ironic and deadpan about it. Ray Charles I mentioned, just thought Crosby had a bigger impact, i fact crosby was the first master of the micraphone and therefore the first to sing intimately, etc. Sonny Boy though, hmmmm, interesting.
Let me add some comments from a friend who emailed them to me rather than leave them here, but I think he makes some good points so wanted them on the record:
"I would have to say that Charles Brown & Chet Baker influenced singing much more than Bjork. Without Charles Brown (I got to spend time w/ him toward the end of his life on a Blues Cruise in the Caribbean in 1997) there would be no Ray Charles & Chet Baker was a monster in the late 50s & out polled Louis Armstrong in Downbeat. I have also always thought that Otis Clay was at least as good as Al Green (same producer, same record company) but never got the breaks--also one of the most gentlemanly guys I have ever met."
Post a Comment