Photo taken by my housemate Hannah Bracken after she and her partner, my son Miles, and I moved in together in 2021. The lights have changed colors (all blue now) but remain up and lit year round, as does the message.
Thursday, November 30, 2023
GETTING PREPARED
Wednesday, November 29, 2023
SOME ARTIST FRIENDS
Woke up this morning with a new list brewing in my mind of artists I like who are, or once were, friends of mine. As it grew, I had to alphabetize to remember. I’m sure there are many more who didn’t immediately come to mind:
AHM AKRAM
DON BACHARDY
ALIX BAILEY
JENNIFER BAXANDALE
GLEN BAXTER
SUSAN BEE
JOE BRAINARD
RUDY BURCKHARDT
SUSAN CAMPBELL
MIGUEL CONDE
DONNA DENNIS
CHIO FLORES
JANE FREILICHER
LESLIE GREENE
DUNCANN HANNAH
JOAN HANOR
JOHN HANOR
PAUL HARRYN
ERIC HOLZMAN
CAITLIN LALLY HOTALING
WALTER HOYT
ALEX KATZ
MIKE KELLEY
PATRICIA LOUISIANNA KNOP
LEE LALLY
DIANNE LAWRENCE
DON MCLAUGHLIN
RITA STERN MILCH
PAULA NORTH
BRENDAN O’CONNELL
DARRAGH PARK
RICK PARKER
JUDY RIFKA
ERIKA ROTHENBERG
SUSAN ROTHENBERG
ED RUSCHA
GEORGE SCHNEEMAN
CAROLEE SCHNEEMANN
SYLVIA SCHUSTER
MINDY SEEGER
BILL SULLIVAN
MARY WORONOV
TREVOR WINKFIELD
GEOFFREY YOUNG
Sunday, November 26, 2023
FRIENDS
Monday, November 20, 2023
LALLYPALOOZA FILM
Here's the video of Lallypalooza, the event earlier this year where some family and friends read some of my poems (their choices). Some glitches and unflattering angles, but grateful to have a record of the evening.
Tuesday, November 14, 2023
JOHN BAILEY R.I.P.
Cinematographer John Bailey (Ordinary People, Groundhog Day et. al.) was one of the first people I met and became friends with when I moved from NYC to LA in 1982. He was already well established in the movie business, along with his Oscar-winning film editor wife Carol Littleton. Both were movie aficionados like me, only calmer and more humble, less arrogant and self aggrandizing than I was.
Though a few months younger than me, I relied on John for advice and honest assessments of my various attempts to conquer Hollywood. He never made me feel anything but an equal. I had written my first screenplay back in New York based on my experiences in 1962 being stationed in the then last legally completely segregated state, South Carolina, when I was in love with a "black girl".
The script found lots of admirers who wanted me to write screenplays based on their ideas and projects, but no one would do a mixd-race lovers story then. So I tried to get it made myself, and John generously offered to shoot it for free. Others offered their services as well, and I was approached by the agents of the then little known Sean Penn and Kiefer Sutherland but didn't see them playing my 20-year-old self.
I never did get it made and became busy raising my two then only kids as a single parent and trying to make the rent and other life dramas and saw less of John over the years, but never forgot his kindness and gentleness with me. Unlike me, his artistic goal was to be invisible, for his work to serve the director's vision so seamlessly that you couldn't see a John Bailey signature style.
I can say though that he was most proud of his work on Paul Schrader's Mishima, the biopic about the controversial Japanese novelist that mixed day-of-his-death documentary style scenes with scenes from his earlier life and scenes from his fiction. John shot each of the three intersecting stories on three different film stocks and insisted I come to a screening of the film with the spliced film stocks before it all was distilled into one rendition. One of the greatest movie-going experiences of my life.
Condolences to Carol and all who knew and admired John.
Friday, November 10, 2023
VETERANS DAY
Thursday, November 9, 2023
RANDOM TBT
Monday, November 6, 2023
NEW FAVORITE QUOTE
"I think about the alternative lives of my characters all the time. But, as I did not live in fiction, I decided, soon after Vincent's death, to stop pondering the alternatives. What if belongs to fiction; what now, to this real life." —Yiyun Li (The New Yorker 10/30/23)