In a class on modern poetry, I write a
paper for a tall, shy-with-me, older grad
assistant, Larry Kramer, who notes on it
You have one of the strangest prose styles
I’ve ever read. So, unasked, I do another
for extra credit, in which I analyze the
structure of Ezra Pound’s haiku-like IN
A STATION OF THE METRO, using
only rhymed, iambic-pentameter qua-
trains. Including two lines rhyming
poem with the tome in epitome, which
I pronounced epi-tome, till Kramer cor-
rects me. He seemed bewildered by it and
admitted he had no idea how to grade it.
I can't find online any mention of his stint in Iowa, but he was so distinct looking with his height and those rich lips I never forgot him. And others who were there then remember him too. Our paths never crossed directly again, though we shared mutual acquaintances. He was a force of nature and had a real impact on history and the rights of gay men and will be sorely missed by many. May he never be forgotten.
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